리네 로제의 암체어 (6/13) - Pumpkin 풋스툴 스툴, Ottoman 암체어 오토만 체어 외 [Armchairs]
리네 로제 암체어 (6/13) [Armchairs]
Pumpkin Footstool
풋스툴 스툴
Designer: Pierre Paulin
For the very first time, Pierre Paulin's 1971 design for seating for the private apartments of Claude & Georges Pompidou at the Elysée Palace is being put into large-scale production. Pumpkin is characteristic of Paulin's revolutionary style, as initiated at the end of the 1950's, and as its name suggests is evocative of a giant pumpkin, welcoming the user with its protectively voluptuous - and voluptuously protective - shell. Resisting its appeal is an impossibility!
Ottoman Armchair
암체어 오토만 체어
Designer: Noé Duchaufour-Lawrance
It was while working on a concept for a hotel in Marrakech that the designer had the idea for this model, inspired by the traditional Moroccan footstool. The project never got off the ground but we were captivated by the oriental charm of this piece, filled with 'zenitude', comfort and wellbeing. Noé Duchaufour-Lawrance, through his work on quilting and colour, knew how to bring the creative 'added value' which has rooted the model in modernity, 'for keeps'.
Ottoman Swivelling armchair
암체어 오토만 체어
Designer: Noé Duchaufour-Lawrance
It was while working on a concept for a hotel in Marrakech that the designer had the idea for this model, inspired by the traditional Moroccan footstool. The project never got off the ground but we were captivated by the oriental charm of this piece, filled with 'zenitude', comfort and wellbeing. Noé Duchaufour-Lawrance, through his work on quilting and colour, knew how to bring the creative 'added value' which has rooted the model in modernity, 'for keeps'.
Ottoman Footstool
풋스툴 오토만 스툴
Designer: Noé Duchaufour-Lawrance
It was while working on a concept for a hotel in Marrakech that the designer had the idea for this model, inspired by the traditional Moroccan footstool. The project never got off the ground but we were captivated by the oriental charm of this piece, filled with 'zenitude', comfort and wellbeing. Noé Duchaufour-Lawrance, through his work on quilting and colour, knew how to bring the creative 'added value' which has rooted the model in modernity, 'for keeps'.
Source: Ligne Roset Armchairs


























