리네 로제의 체어 & 스툴 (13/13) - 289 체어, 289 체어 [Chairs, Carver Chairs & Stools]

리네 로제의 체어 & 스툴 (13/13) - 289 체어, 289 체어 [Chairs, Carver Chairs & Stool…

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리네 로제 체어 & 스툴 (13/13) [Chairs, Carver Chairs & Stools]

 

 

289 Carver chair guariche stained ash base
체어

Designer: Pierre Guariche

 

289 Carver chair guariche stained ash base

289 Carver chair guariche stained ash base

289 Carver chair guariche stained ash base

289 Carver chair guariche stained ash base

289 Carver chair guariche stained ash base

289 Carver chair guariche stained ash base

289 Carver chair guariche stained ash base

 

The 289 chair, designed by Pierre Guariche and manufactured by Les Huchers de Minvielle in the 1950s and 1960s, is a perfect example of the French modernist design of the time, combining functionality, lightness, and minimalist elegance. Guariche favoured innovative materials for the time, such as tubular metal and moulded plywood, while ensuring optimal comfort. Guariche, known for his functional and aesthetic approach to furniture, designed this chair with a focus on ergonomics and simplicity. The 289 chair fits equally well in private and public spaces, illustrating the timelessness of French industrial design.

 

 

289 Chair guariche stained ash base
체어

Designer: Pierre Guariche

 

289 Chair guariche stained ash base

289 Chair guariche stained ash base

289 Chair guariche stained ash base

289 Chair guariche stained ash base

289 Chair guariche stained ash base

289 Chair guariche stained ash base

289 Chair guariche stained ash base

 

The 289 chair, designed by Pierre Guariche and manufactured by Les Huchers de Minvielle in the 1950s and 1960s, is a perfect example of the French modernist design of the time, combining functionality, lightness, and minimalist elegance. Guariche favoured innovative materials for the time, such as tubular metal and moulded plywood, while ensuring optimal comfort. Guariche, known for his functional and aesthetic approach to furniture, designed this chair with a focus on ergonomics and simplicity. The 289 chair fits equally well in private and public spaces, illustrating the timelessness of French industrial design.

 

 

Source: Ligne Roset Chairs, Carver Chairs & Stools

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